# Backlot

Source: https://storiara.com/glossary/backlot
Last updated: 2026-09-14
Author: Spencer Kaufman, Storiara

> A backlot is the outdoor part of a film studio lot where exterior sets stand permanently, such as city streets, suburban blocks, and town squares, built as building fronts with little or nothing behind them. Productions rent backlot streets to film controlled exteriors without public permits, traffic, or neighbors, and redress the facades to fit their story.

## What's on a backlot

A backlot looks like a city until you walk around a corner. Standing sets are usually grouped by type: a downtown street with brownstones and storefronts, a small-town main street, a residential block with lawns and porches, sometimes an alley, a park, or a water tank. Buildings are facades, braced from behind, with some practical doorways and ground-floor spaces.

Productions rent a street for a set number of days, then the art department redresses it with signage, awnings, window dressing, street furniture, and picture cars so it reads as their city.

## Why productions use one

| Reason | What it means on the day |
|---|---|
| Control | No public traffic or pedestrians, so no [location lockdown](https://storiara.com/glossary/location-lockdown) fights |
| Hours | Night work without neighbors, subject to studio rules |
| Effects | Rain towers, smoke, and vehicle work arranged with the studio's safety staff |
| Proximity | Stages, offices, and shops nearby, so a company move is a short walk |
| Doubling | One New York-style street can play several cities with dressing |

On our diner shoot, if the real parking lot at Rosie's couldn't allow rain towers at night, the production could rebuild the diner's exterior corner on a backlot street and shoot scene 31 there, with interiors still at the [practical location](https://storiara.com/glossary/practical-location).

## What to watch

Backlots are recognizable. Viewers who know film history may spot a famous street, and a production wanting a unique look has to dress heavily or shoot tight. Scale can be off, too. Some facades are slightly smaller than real buildings, which shows in wide shots next to full-size vehicles. Booking is the other constraint, because popular streets get reserved by series for long stretches.

Night exteriors on a backlot still cost what night work costs in crew time. And interiors still need to match, so the art department plans the facade and the stage or location interior together.

## Related terms

A backlot pairs with the [soundstage](https://storiara.com/glossary/soundstage) for interiors. For doubling one place for another, read [doubling locations](https://storiara.com/blog/doubling-locations-how-georgia-and-new-zealand-become-new-york-and-the-moon). For the public-street alternative, see the [Los Angeles film permit guide](https://storiara.com/blog/film-permit-los-angeles).

## Frequently asked questions

### Are backlot buildings real?

Mostly they're facades: building fronts with windows and doors, braced from behind. Some have usable ground-floor interiors or entryways, but most interiors are shot on soundstages or practical locations.

### Do you need a film permit to shoot on a backlot?

Not a city street permit, because the backlot is private studio property. The studio has its own rules, safety requirements, and fees, and effects like gunfire or fire still need the studio's sign-off and its fire safety staff where required.

### Which studios have backlots?

Several of the major Los Angeles studios keep backlots, including Warner Bros. in Burbank and Universal in Universal City. Smaller studios and production facilities in other regions have built their own standing streets too.