A typical A-scene
The blue revisions add a short beat between the gas station and the chase:
42 EXT. GAS STATION - NIGHT 42
...
The clerk reaches for the phone.
42A INT. GAS STATION - CONTINUOUS 42A *
The CLERK dials. Watches Maya's taillights. *
CLERK *
Yeah. She's headed north on 9. *
43 EXT. ROUTE 9 - NIGHT 43
Scene 42A gets its own breakdown sheet, its own strip, and its own entry on the schedule. Here it's a new interior set (the store interior), 2/8 of a page, cast member 7, and a phone. It might shoot on the same night as 42 or on a different day if the store interior is a stage set.
Rules most productions follow
| Situation | Number |
|---|---|
| First new scene after 42 | 42A |
| Second new scene after 42 (after 42A) | 42B |
| New scene before scene 1 | A1 |
| A-scene later cut | 42A OMITTED |
| New scene after 12, where I would be next | many skip to 12J, avoiding 12I |
Skipping I and O is common because 12I and 12O are easy to misread as 121 and 120 on a slate or in an editor's bin. Check your production's convention before the first revision goes out.
What to update in the breakdown
When an A-scene appears in revision pages:
- Create a new breakdown sheet with the A-scene number and measure its page eighths.
- Tag its elements. New sets and new speaking parts are the expensive surprises.
- Add a strip and place it on the stripboard, usually on the same day as its neighbors if the location allows.
- Update the day out of days if it changes which days an actor works.
- Tell the script supervisor and the editor so the new number is expected in slates and logs.
Confusion with A-pages and setups
An A-scene is a scene number. A-pages are page numbers. Adding scene 42A may or may not create page 31A, depending on whether the page overflows. The slate is a third place a letter shows up, which is why A-scenes deserve a word at the production meeting on a show that uses lettered setups. See scene number for how numbering works before any revisions, and omitted scene for the reverse case.
