What a permit actually allows
A permit is specific. A typical Los Angeles permit for the diner shoot lists the address, dates, the hours of activity, the number of trucks and where they park, whether the production may use the sidewalk for equipment, and any conditions such as "no filming on the street after 10 PM" or "fire safety officer required for rain effects near power." Anything not on the permit isn't allowed. If the 1st AD decides at 4 PM to add a shot in the street, the permit has to be amended first, and some offices can't do that the same day.
FilmLA says a physical copy of the permit has to be on location during filming, so the location manager keeps one on set.
Two cities side by side
| City of Los Angeles (via FilmLA) | New York City (MOME) | |
|---|---|---|
| Who issues | FilmLA, a nonprofit that coordinates permits for the City and County of LA and other jurisdictions | Mayor's Office of Media and Entertainment |
| Lead time | Minimum three full business days before the first activity date | Plan ahead; fee waiver reviews take up to 3 business days |
| Insurance | $1,000,000 liability for filming, City of LA and FilmLA as additional insured | Required for permitted productions |
| Fee | Application fee plus per-service charges on FilmLA's schedule | $500 per consecutive 14-day period |
Sources: FilmLA City of Los Angeles requirements and NYC MOME. Both change, so check before each shoot. The Los Angeles and New York City permit guides go deeper.
The steps, in order
- Lock the location and get the owner's location release if it's private property.
- Ask the broker for a certificate of insurance naming whoever the permit office requires.
- Submit the application with the site plan: where trucks, base camp, and equipment go.
- Pay fees and book any required police, fire safety officers, or monitors.
- Receive the permit, then handle neighborhood notification and parking postings as the office directs.
- Put the permit number and any conditions on the call sheet.
Mistakes that shut shoots down
Permits that don't match what's happening on the day cause the most trouble: more trucks than permitted, filming past permitted hours, or effects not listed. The next problem is timing, with insurance certificates arriving after the deadline. Some productions skip the permit on small shoots; the risks are covered in filming in public without a permit. Outside LA and NYC, start with the local film commission, which can tell you who issues permits for a given address.
