Script supervisor report

Nick HartyBy Nick HartySeptember 14, 2026

Definition

A script supervisor report is the daily summary the script supervisor turns in at wrap. It lists the scenes completed, partially shot, and added, pages and setups shot, estimated screen time, first shot, meal, and camera wrap times, and running totals for the production. The ADs copy these figures into the daily production report.

What the report shows

The top half is times; the bottom half is what got done and the totals.

THE LONG DRIVE   Script Supervisor Daily Report   Day 6 of 18   3/10
Crew call 6:30A   First shot 7:52A   Lunch 12:30P to 1:00P
First shot after lunch 1:24P   Camera wrap 7:10P
SceneStatusPagesSetupsScreen time
14Complete2 3/8142:41
15ptPart (Joe at register)4/8 of 6/850:29
31Not shot
Today2 7/8193:10
Previously41 4/821246:20
Total to date44 3/823149:30
Script total98 4/8

Check the arithmetic: 2 3/8 plus 4/8 is 2 7/8. Add 41 4/8 and you get 44 3/8. The minutes go the same way, 3:10 plus 46:20 is 49:30.

Many reports also list wild lines recorded, sound-only takes, and scenes where dialogue changed enough to affect the script timing.

Part scenes and page credit

Scene 15 is 6/8 of a page, and only the half at the register got shot. The script supervisor credits the page eighths actually covered (4/8) and marks the scene "pt" so it stays on the schedule for the remaining 2/8. Credit the whole scene and the schedule will look ahead of where it is; credit none of it and the day looks worse than it was. Either way the error carries into the daily production report.

Who uses it

The 2nd AD copies scenes, pages, setups, and times straight into the DPR. The 1st AD and UPM watch pages per day against the plan. The editor and post supervisor use the screen time total to see whether the cut is heading long; the script supervisor's pre-production timing of the script gives the target to compare against.

Where mistakes come from

Totals that don't carry forward from the previous day's report are the usual problem, followed by setups counted differently from the 2nd AD's count. Agree definitions early. It also matters that the times on this report match the DPR and Exhibit G. If the scripty writes first shot at 7:52 and the DPR says 7:45, someone will ask which is right.

The detailed take notes live separately in the continuity report and the lined script. The script supervisor page covers the job, and the page count calculator helps with eighths.

Frequently asked questions

What's the difference between the script supervisor report and the continuity notes?

Continuity notes describe every take of every setup. The script supervisor report is a one or two page summary of the day's totals, made for the production office rather than the editor.

How does the script supervisor count setups?

Each new camera position or lens change that gets a new slate letter is a setup. If A and B cameras shoot at the same time, productions differ on whether that's one or two, so agree the convention with the 1st AD on day one.

Where does screen time on the report come from?

The script supervisor times the circled or preferred takes with a stopwatch and records the running time for each scene's completed portion, then adds them up.

Keep the paperwork in one place

Upload a PDF, Word, or Final Draft script and Storiara pulls out scenes, cast, locations, props, and wardrobe, then builds the schedule, budget, and call sheets from that breakdown.

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Nick Harty

Nick Harty

Technical Lead, Storiara

Technical architect and full-stack engineer building the core systems that power Storiara. Creates technology that enhances creative workflows.