Set Medic

Spencer KaufmanBy Spencer KaufmanSeptember 14, 20264 min read

The job in brief

A set medic is the production's on-set first aid provider. They treat cuts, burns, heat illness, and sprains, decide when someone needs a hospital, keep an injury log, and flag hazards to the 1st AD and safety meeting. In Los Angeles, union first aid personnel are part of IATSE Local 80. In California, an injured employee has to be given a workers' comp claim form within one working day.

On this page
  1. Before the first shoot day
  2. The morning safety meeting
  3. A day on set
  4. When something happens
  5. Who the medic works with
  6. How medics get hired
  7. Paperwork and tools

At a glance

Department
Transportation & Support
Unions and guilds
IATSE Local 80

Before the first shoot day

A medic usually joins a day or two before the first day of photography, sometimes only for the days with risk on the schedule. Prep starts with the schedule and the script breakdown. The medic is looking for anything that raises the odds of an injury: stunts in Scene 57, a car chase, a night exterior in the desert in July, a pool scene, a day with 200 background actors in a stadium.

For each location the medic confirms:

  • The nearest emergency room, its address, and the drive time from set
  • The nearest urgent care or occupational clinic the production's workers' comp carrier uses
  • Cell coverage, and where an ambulance can actually reach set
  • Local hazards (heat, water, cliffs, wildlife, air quality)

The medic's kit goes onto a cart or into a trauma bag: wound care, burn gel, eye wash, splints, an AED where the production provides one, oxygen where the medic is licensed to use it, sunscreen, and a lot of electrolyte packets.

The morning safety meeting

At crew call on a day with anything risky, the 1st AD runs a safety meeting before the first shot. The medic stands next to the 1st AD and the stunt coordinator, says where they will be positioned, names the nearest hospital, and repeats any heat or hydration warnings. Industry safety guidance for specific hazards comes from the safety bulletins that Contract Services publishes, and the medic should have read any bulletin that applies to the day's work.

A day on set

A realistic day for the medic on an exterior shoot with a 6:00 a.m. call:

TimeWhat's happening
5:30aArrive, set up first aid station near set, check kit and cooler
5:50aSafety meeting with 1st AD and stunt coordinator
7:00a to 12:00pWalk set between setups, watch rigging, hand out water
9:40aElectric department sprain from a cable trip. Ice, wrap, assess, log it
12:00pLunch. Medic eats near set or on call
2:30pStunt rehearsal. Medic positioned with a clear path to performer
4:00pHeat check on background in holding
7:15pWrap. Restock kit, finish the injury log, report to UPM

The job is mostly watching. A good medic notices the grip who hasn't drunk water since call, or the background actor sitting in full sun in a wool coat, before either becomes an incident.

When something happens

Minor injuries get treated and logged. Anything more serious gets a decision: can this person go back to work, do they need a clinic, or is it a 911 call? Serious injuries also start paperwork. In California the Division of Workers' Compensation says the employer must give or mail the injured worker a claim form within one working day after learning about the injury or illness. On most productions the medic tells the UPM or production coordinator right away, and the production office handles the claim form with the payroll company or carrier. Other states have their own deadlines and forms.

The medic's injury log feeds the daily production report, which records accidents and injuries for the day. Keep the log entry factual: time, name, department, what happened, what was done, and whether the person returned to work. See workers' compensation for how the claim moves after that.

Who the medic works with

The UPM and 1st AD are the main contacts. The stunt coordinator and special effects supervisor plan their gags with the medic in mind. Craft services and the medic share responsibility for water on hot days. On shows with minors, the studio teacher is responsible for the health and safety of minors under 16, so the medic and teacher should agree on heat and rest breaks for kids.

How medics get hired

Most set medics come from outside film: EMTs, paramedics, nurses, and firefighters who pick up production work. On union productions in Los Angeles, first aid is represented by IATSE Local 80, which Contract Services lists as covering grips, craft service, and first aid for its Industry Experience Roster. Local 80 asks prospective medic members to send copies of their certifications (front and back of the cards) for its permit orientation. Outside Los Angeles, the rules depend on the local and the state, so check the union covering your area.

Paperwork and tools

Injury log, incident reports, the call sheet's hospital section, kit inventory, time cards, and copies of certifications. Storiara's call sheets show the day's weather forecast for the location and a hospital field the ADs fill in, so the medic can check the route and heat warnings against what went out. See the call sheet feature.

Frequently asked questions

Do film sets need a medic?

Whether a medic is required depends on your insurance policy, any union agreement you are signatory to, and permit conditions for the location. Days with stunts, pyrotechnics, water work, or large background calls are where productions most often add one.

What certifications does a set medic need?

It depends on the union, the state, and the production. Many set medics are EMTs or paramedics. IATSE Local 80 asks prospective medic members to send copies of their certifications as part of permit orientation.

What happens when someone gets hurt on set?

The medic treats and assesses the injury, decides whether the person needs a clinic or hospital, logs it, and tells the UPM and 1st AD. In California the employer must give the injured worker a workers' comp claim form within one working day of learning about the injury.

Where does the nearest hospital go on the call sheet?

Most call sheets list the nearest emergency room with address and phone number, and often a map. The medic should drive or map the route before the shoot day.

Sources

Build your crew list alongside the schedule

Storiara keeps cast and crew contacts, union and contract details, and availability next to the stripboard, so call sheets go out with the right names on them.

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Spencer Kaufman

Spencer Kaufman

Revenue & Strategy Lead, Storiara

Revenue and strategy expert growing Storiara's market presence and building partnerships with filmmakers and studios worldwide.